Possible choices like Adobe Soundbooth and Apple Soundtrack Pro, while useful in their own workflows, haven’t caught on with audio editors. And Peak has been divisive: some users love it, but others want an alternative. The Mac, meanwhile, has been all about BIAS Peak. Windows users have been spoiled by choices like Sound Forge (now Sony), Adobe Audition, and Steinberg WaveLab, all three excellent editors that are functional and fast to work with. That’s made a lot of Mac users unhappy, because it’s one of the few areas where the Mac platform lags seriously behind Windows in available choice. For sound design, for tweaking audio assets, and for just getting close to your sounds, editing waveforms in a DAW often doesn’t cut it. Let’s get this out of the way right at the beginning: dedicated audio editors are important.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |